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Event Replay: Game Time With the San Antonio Spurs: Engaging Fans with ChatGPT & Sora

Creative and Cultural Production 

Protopica: Preserving Culture with Generative AI, Not Replacing It

Sora Alpha Artists: The Next Chapter in AI Storytelling

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In-Person Event: Sora Shorts in the OpenAI Forum

Virtual Event: Sora Alpha Artists: The Next Chapter in AI Storytelling

Virtual Event: Sora Alpha Artists: Preserving the Past and Shaping the Future

Virtual Event: Game Time With the San Antonio Spurs: Engaging Fans with ChatGPT & Sora

i'm curious what their experience has been talking with other film makers about AI creative tools like Sora. is it positive? negative? mixed?

🎨 Event Alert: Preserving the Past and Shaping the Future with OpenAI Sora Alpha Artists

Aller je me lance : Voici une petite production personnelle, qui utilise en partie Sora. 

The Colors of Madness, the street artist unmasked


L'idée forte de cette courte fiction est de proposer une approche hybride entre les images générées par IA et des images réelles, notamment de personnages. La physique de la parole étant moins au point que le reste, j'ai trouvé que l'approche était intéressante, dans la mesure où l'on oppose souvent images de synthèses et images réelles... un débat qui n'a plus vraiment cours dans le cinéma traditionnel.

"The Colors of Madness" raconte la révélation de l’identité de Tom Toy, street artist mythique. Traqué par les médias après des années d’anonymat, il décide de vendre son stock d’œuvres monumentales en plastique recyclé pour financer une fondation dédiée au street art et à l’écologie. Un engagement réel et massif. Et une façon d’éviter qu’une partie de son passé d’activiste ne remonte à la surface. 

France

Sora en France

Creativity Is Collective. Identity Is Not.

Recently, I made an AI recreation of myself using Sora 2. I’m not sharing the video here, but I want to share what it stirred in me — because the experience clarified something important.


A few days earlier, I’d shared a video of myself performing one of my songs.


Then, as a kind of mirror experiment, I generated a short video of “me” — same song, same setting — only this time, it was made with AI.


Seeing myself do something I never actually did — my face, my voice, my movements, my style — was unexpectedly disorienting. Not because the technology was impressive, but because it touched something personal and vulnerable.


It helped me feel something I’d only understood intellectually before:


AI shaped by collective human creativity is beautiful and expansive.


AI that imitates a specific person’s identity — their face, voice, movements, or artistic style — crosses into the territory of consent.


Because identity isn’t collective. It’s personal.

I’d known this, conceptually. But seeing the tiny micro-expressions the AI chose on my behalf landed somewhere deep inside my chest.

I was surprised to feel a moment of dislike toward the technology — not because I’m against it, but because it brushed close to something tender. And I know my feelings about this may evolve over time.

Even with full control, full consent, and the most private settings enabled, it still stirred a sense of shock and vulnerability I didn’t expect.


It also made me think about how different creativity and identity really are:


Creativity flows through us all — we influence and inspire one another endlessly.

Identity belongs to each of us — it is shaped by our personal history, memory, culture, and lived experience.

I’m still learning how to express what this stirred in me.


But I offer it here in case it gives someone else a bit of language for their own inner dialogue.


And if you’ve had your own complicated reactions to tools like this…


Ideas SF: What Does It Mean to Create Art in the Age of AI?

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